<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title>The Bellows Atlas</title><link>https://italianaccordion.com/</link><description>Italian accordion culture, makers, repertoire and technique.</description><language>en-us</language><item><title>Why Castelfidardo matters</title><link>https://italianaccordion.com/history/why-castelfidardo-matters/</link><guid isPermaLink="true">https://italianaccordion.com/history/why-castelfidardo-matters/</guid><pubDate>Mon, 24 Aug 2026 08:00:00 GMT</pubDate><description>Castelfidardo is not just a place name on an instrument label. It is a useful starting point for understanding how making, memory and international accordion culture overlap.</description></item><item><title>Paolo Soprani and the 1863 origin story</title><link>https://italianaccordion.com/history/paolo-soprani-and-the-1863-origin/</link><guid isPermaLink="true">https://italianaccordion.com/history/paolo-soprani-and-the-1863-origin/</guid><pubDate>Sat, 22 Aug 2026 08:00:00 GMT</pubDate><description>The museum’s Paolo Soprani reference is a powerful timeline anchor, as long as it is used as an entry point rather than a shortcut through every later history.</description></item><item><title>A concise Scandalli timeline</title><link>https://italianaccordion.com/manufacturers/scandalli-timeline/</link><guid isPermaLink="true">https://italianaccordion.com/manufacturers/scandalli-timeline/</guid><pubDate>Fri, 21 Aug 2026 08:00:00 GMT</pubDate><description>Scandalli’s own history gives the reader a compact route through early twentieth-century making, post-war change and the Castelfidardo area.</description></item><item><title>The Castagnari family workshop</title><link>https://italianaccordion.com/manufacturers/castagnari-family-workshop/</link><guid isPermaLink="true">https://italianaccordion.com/manufacturers/castagnari-family-workshop/</guid><pubDate>Thu, 20 Aug 2026 08:00:00 GMT</pubDate><description>Castagnari’s family workshop history helps explain why the organetto belongs in the modern Italian accordion conversation.</description></item><item><title>Victoria and the Castelfidardo story</title><link>https://italianaccordion.com/manufacturers/victoria-accordion-history/</link><guid isPermaLink="true">https://italianaccordion.com/manufacturers/victoria-accordion-history/</guid><pubDate>Tue, 18 Aug 2026 08:00:00 GMT</pubDate><description>Victoria’s official history offers another window into early Castelfidardo production and the evolution of converted instruments.</description></item><item><title>Diatonic or chromatic button accordion?</title><link>https://italianaccordion.com/instruments/diatonic-vs-chromatic-button-accordion/</link><guid isPermaLink="true">https://italianaccordion.com/instruments/diatonic-vs-chromatic-button-accordion/</guid><pubDate>Mon, 17 Aug 2026 08:00:00 GMT</pubDate><description>The two button systems are not a simple good-versus-better choice. They open different relationships between layout, repertoire and technique.</description></item><item><title>How an accordion makes sound</title><link>https://italianaccordion.com/instruments/how-an-accordion-makes-sound/</link><guid isPermaLink="true">https://italianaccordion.com/instruments/how-an-accordion-makes-sound/</guid><pubDate>Sun, 16 Aug 2026 08:00:00 GMT</pubDate><description>Air from the bellows sets free reeds vibrating. The interesting part is how the player controls that air, the reed banks and the colour of the voice.</description></item><item><title>Registers, reeds and voices</title><link>https://italianaccordion.com/instruments/registers-reeds-and-voices/</link><guid isPermaLink="true">https://italianaccordion.com/instruments/registers-reeds-and-voices/</guid><pubDate>Sat, 15 Aug 2026 08:00:00 GMT</pubDate><description>A specification becomes useful when it tells you how an instrument behaves, not when it turns a list of register names into a status symbol.</description></item><item><title>Organetto in Abruzzo</title><link>https://italianaccordion.com/styles/organetto-in-abruzzo/</link><guid isPermaLink="true">https://italianaccordion.com/styles/organetto-in-abruzzo/</guid><pubDate>Fri, 14 Aug 2026 08:00:00 GMT</pubDate><description>A small diatonic button instrument can carry a large regional vocabulary. Abruzzo is one useful place to begin listening.</description></item><item><title>Pizzica and the organetto</title><link>https://italianaccordion.com/styles/pizzica-and-the-organetto/</link><guid isPermaLink="true">https://italianaccordion.com/styles/pizzica-and-the-organetto/</guid><pubDate>Thu, 13 Aug 2026 08:00:00 GMT</pubDate><description>Pizzica belongs to a wider conversation about southern Italian dance, memory and contemporary presentation. The organetto is one thread in that conversation.</description></item><item><title>What to hear in Emilian liscio</title><link>https://italianaccordion.com/styles/emilian-liscio-and-accordion/</link><guid isPermaLink="true">https://italianaccordion.com/styles/emilian-liscio-and-accordion/</guid><pubDate>Wed, 12 Aug 2026 08:00:00 GMT</pubDate><description>Liscio is a useful case study in how dance function, ensemble expectation and accordion technique shape one another.</description></item><item><title>Tarantella as a repertoire family</title><link>https://italianaccordion.com/styles/tarantella-and-regional-repertoire/</link><guid isPermaLink="true">https://italianaccordion.com/styles/tarantella-and-regional-repertoire/</guid><pubDate>Tue, 11 Aug 2026 08:00:00 GMT</pubDate><description>Tarantella is a useful search word and a dangerous shortcut. Let rhythm, region and occasion stay visible.</description></item></channel></rss>